Neal’s Yard Remedies: Garden Mint and Bergamot Hand Lotion

 

 

Overview

Neal’s yard are motivated by a desire to produce authentic products made primarily from organic rather than synthetic ingredients. They are also environmentally conscious and driven and enjoy sourcing local produce and assisting with various campaigns. As such, you can enjoy the wonderful, healthy spoils whilst also sleeping with a sound conscious that you are contributing to the planets welfare. A transparent brand, you are able to see exactly what is in the products you purchase, how they were sourced and made.

Packaging

A dark blue, semi-transparent bottle that looks as though it could house a message bobbing out to sea, the aesthetic mirrors the brands desire to promote healthy, organic, environmentally friendly living. What you see is what you get.

Price

A 200ml bottle will set you back £12.50.

Scent

Wonderfully exhilarating, this is the scent of summer; delicious, zesty and fruity. The website describes a ‘clean, green scent’ meshing mint, bergamot, and conditioning Shea nut butter, jojoba and evening primrose oil.

Texture

Silky, soft, smooth and sublime! Not thick or heavy. A light and refreshing lotion.

Bang for your buck

This will make you feel special and a little luxurious. It smells heavenly, really lasts and makes a great addition to any shelf.

Does it work?

A great conditioning hand treatment, it feels light and refreshing rather than thick and heavy making it perfect for ‘normal’ hands that just need a little revitalising after a hard day.

Does it last?

200 ml will last you, especially if you keep it to yourself! We are not yet half way down a few months in.

Would I repurchase?

I think I would try another of the wonderful hand lotions of Neal’s Yard for comparison, but it is certainly a keeper based on scent alone!

Instructions for use

Use sparingly throughout the day for maximised hydration.

 

Score: 8/10

Mor – Candied Vanilla Almond Hand Cream

 

Overview

Mor defines itself as a ‘modern apothecary’, focusing on cosmetics and scented candles. An exotic, luxurious brand, products can be purchased from the brands e-boutique and make ideal pampering gifts.

Packaging

Noir and gold are utilised to create a simplistic but striking effect making the product look both regal and luxurious. My first impression of the product was that it must have been very expensive. It simply looks as if it should be. Flanked by what I believe are golden peacocks, the brand is beautifully decorated.

 Price

Priced at $20, you can buy cheaper, so this is most certainly a luxury item, ideal for someone you love.

 Scent

The earthy, heady scent of almonds mingled with one of my favourite ever smells, innocent, playful vanilla, smells sweet and seductive and very delicious. The only way I can fully describe the scent is that you immediately notice when someone has used this when they walk into a room – it truly is a heady, intoxicating scent. Something about it reminds me of musical notes, like a shrill violin chord.

Texture

Soft and melty as butter, you don’t have to wrench your hands to moisturise them with this.

 

Bang for your buck

We’ve established that you can purchase cheaper hands creams and lotions. Favourites of mine include large tubs of Vaseline and doublebase cream, but this is a luxurious present for a special someone or as a treat. My mother was given this product after she had recovered from a strenuous hospital spell, and I think this range is ideal for such occasions when you want to feel a little extra special. The scent is one of my favourites ever and the brand is aesthetically gorgeous. This isn’t a product for the household, it’s a one person only gift!

Does it work?

So let me tell you that this product describes itself as containing ‘candied almonds blended with sugar blossom decadently layered upon a base of smooth vanilla create this sweetly sophisticated bonbonerie’. Doesn’t that sound amazing to you? Promoting softness and revitalisation, containing shea and cocoa, sesame oil and glycerine, hands feel and look gorgeous and just smell so sensual too!

Does it last?

My mother and I use this product sparingly after we wash our hands and the 100ml of the product are lasting us.

Would I repurchase?

We were gifted this but did we like it enough to repurchase? As much as I loved this, I think I would opt for cheaper items, and perhaps splurge on this as an occasional treat for a friend.

Instructions for use

No rocket science here. Apply to hands and rub in, particularly after you wash the hands or come into contact with winter weather.

Gravity

The menacing, mercurial magnitude of space has always enthralled audiences. We sit and ponder what life forms exist beyond Earth, the misadventures of space crafts, the languages and cultures abounding on various planets. Gravity is a different sort of space film. Although it is rightly heralded as science fiction, it is also a very human drama and furthermore, a thriller.

Watching Gravity is a very stressful, claustrophobic experience and also an unusual fusion of boredom and exhilaration. Although we have come to associate space movies with thrills and most moviegoers expect dramatic twists, turns and wild swings in the opposing direction from their stories, Gravity delivers a far more simple and poignant premise. Medical engineer Ryan (Sandra Bullock hyperventilates herself through this movie with her usual likeability) is on her first mission, partnered with veteran astronaut Kowalski (George Clooney portraying his characteristic cocky charm) when their shuttle is obliterated by a cataclysmic rush of space debris.

What ensues is a desperate, frantic struggle across the confining expanse of space in order to return to Earth. The 3D effects really amplify the dense expanse of space in all its terrifying, bewildering beauty whilst also honing in on minute details such as beads of condensation. This creates a detailed, stunning and also quite frankly, frightening perspective of space as a wild, blank canvass of unexplored wonders and indefinable sporadic dangers. The illusion created is one of being in space with the characters, hence my stressed, tense, claustrophobic reaction. Feeling hemmed in by my own 3D glasses also intensified this rush.

 

Although the film itself follows a trajectory both monotonous, repetitive and deliriously unhinging, what is most intriguing are the themes of the film, which some have claimed feel hammy and disingenuous. Yes, it’s true that some of the dialogue has most definitely been scraped up from the barrel of clichés, but there is only so much that can be done when the films focus is on two individuals floating in a vacuum. The film is naturally limited by its forced fixation on one limitless location. There are no shots to Earth and that’s a good thing, as it would only take away from the sense of total abandonment.

 

 

Gravity explores the importance of understanding when to let go, and when to hold on, both of which are demonstrated as being both physical and tangible, and emotional and psychological. It gives a real feel of the intensity of isolation and alienation. We learn that Ryan’s character has outcast herself for a long time, but in space this is enormously amplified. The film uses contrasting images of religion and evolution, Ryan slithering out of the water like an evolving fish and learning to stand, and speaking to the sky as if she has acknowledged the presence of a creator. There is also emphasis on rebirth, as Ryan floats like a baby, curled in the foetal position into the womb of the shuttle. It is a surreal look at the delirium of fear, anxiety, solitude and profound loneliness and the overwhelming urge to survive and to return home.
 

This slow burner was visually delicious, truly engaging the eyes, and although I am happy I saw this film, it is not one I could or would watch again. Its effect I imagine would also be diminished on the diminutive television screen. This feels made for cinema only.  It’s also important to note that this film will not be an enjoyable romp for all, as it can feel agonisingly boring and uncomfortable as it feasts on its own themes of powerlessness and the vulnerable human condition. It’s certainly convinced me that should holidays in space ever be a reality, I will not be attending.

10 Reasons why Jennifer Lawrence Kicks Ass

1.       She has been very upfront and outspoken about the film industries representation of actresses as waif thin, instead promoting a strong, healthy look that young girls can aspire to.

2.     Unlike most famous faces, who automatically dismiss their role model status, Jennifer is very aware of the fact that young girls look to her as an influence, particularly due to her portrayal of ‘Hunger Games’ heroine Katniss Everdeen. She acknowledges that if she presented Katniss as a starving, emaciated girl, audiences would potentially attempt to mimic her.

3.       Despite her rampant popularity (she most certainly is the ‘Girl on Fire’), Julia Roberts has proclaimed that Jennifer is too cool and edgy to be an American sweetheart.

4.       She gets overwhelmingly star struck when she encounters fellow famous people, such as John Stamos, Justin Timberlake and Meryl Streep.

5.       Jennifer Lawrence has not attended a single acting or drama class. She did however hone her skills in local theatre.

6.       Lawrence graduated two years early in order to initiate her film career. She clearly still valued the importance of having an academic education to cushion her.

7.       At the tender age of 23, she already has an Oscar under her belt.

8.       Jennifer was initially reluctant to accept the role of Katniss, having seen the effect of the huge success of the ‘Twilight’ series on lead star Kristen Stewart. Fortunately, after mulling over the offer for several days, she decided to accept.

9.       For her role in ‘Winters Bond’, Lawrence had to learn to chop wood, skin squirrels and fight.

10.    Unlike many stars, coerced into sexually explicit scenarios to further their careers, Lawrence made the calculated decision, after fearing that her roles to date had been too bleak and dowdy, to jazz up her appearance in a sultry red dress at the Oscars and attending a strategic GQ shoot. She was later offered the role of Mystique in the X Men Franchise.

 

 

10 Inspirational Role Models for Women

Rihanna, Miley and Gaga might be the most prevalent women on the scene consuming column inches but there are still a myriad of respectable, talented and successful young women whom you can feel comfortable emulating. Refreshing, defiant and likeable, here are 10 women that females of all ages can look to with admiration.

 

1.       Jennifer Lawrence

Stunningly beautiful and bestowed with a vivacious, mercurial personality, Jennifer Lawrence’s career has catapulted her to astronomical success as she has become larger than life similarly to her on-screen characters.

 

Outspoken and down to earth, she has publically decried the obsessive onslaught of negative, restrictive media that brainwashes young girls into a one size fits all definition of female beauty. She has claimed she would never lose weight for a role and has often fought her corner within the industry maintaining that she wants to present herself as healthy and strong, not skinny and helpless.

 

Her portrayal of Katniss Everdeen, one of the most motivational role models for girls, seems to have rubbed off some of its gold dust on the already insanely popular Jennifer, who oozes confidence, coolness and capability. The girl next door with an edge, Jennifer is a young woman who knows her own mind and paves her own way.

What you might not know: Jennifer was the girl behind the blue, portraying Mystique in the X-Men film franchise.

Inspirational Quote: There are actresses who build themselves, and then there are actresses who are built by others. I want to build myself.

 2. Lucy Lawless

 

Notorious for perhaps one of the most celebrated and revolutionary leading roles for women as Xena the Warrior Princess in the televised series, Lucy is a down to earth, kick-ass kiwi who had previously worked as a miner, travelled the world and was in the midst of raising a daughter when she gained the titular role that transported her to worldwide fame and acclaim.

 

The fiery intensity of her athletic, acrobatic character inspired a generation of girls to venture into the wild and identify their inner warrior. Xena’s unspecified relationship with sidekick Gabrielle also defined her as a lesbian icon with none of the exploitation or sleaze usually apparent in the depiction of female on female relationships. Lucy is also an environmental activist who still dabbles in acting.

What you might not know: Lucy considered training to be an opera singer before she realised just how restrictive and thus boring her life was required to be if she were to pursue it professionally.

Inspirational Quote: We live at the edge of the world, so we live on the edge. Kiwis will always sacrifice money and security for adventure and challenge.

 

3. Hudson Leick

 

 

 

Siren-faced, butter-blonde Hudson began her career as a model in Japan which she loathed and found uninspiring despite the fact that it offered her the opportunity to travel. After a spate of television roles she was granted the opportunity to play villainess Callisto the Warrior Queen, a grinning, gurning, gleeful representation of Xena’s twisted, destructive past.

 

As the antagonist of the piece, she embodied the perfect personification of a wild cat, leaping from pillar to post in the ladder arena and chaotically caterwauling her way through intense fight choreography.

 

Hudson sniped the role with her intense and intimidating portrayal during her audition and continued to perfectly capture the essence of the psychotic, vindictive, utterly complex Callisto. Although she still makes appearances at Xena conventions worldwide, Hudson is more renowned these days as a Yoga teacher, hosting retreats for those who wish to connect with the spirituality within their own bodies.

What you might not know: Hudson dropped her first name Heidi because she felt the name Heidi Leick (pronounced ‘Like’) sounded too much like a porn star name.

Inspirational Quote: No, I didn't study ... It's just from the inside.

 

4. J.K. Rowling

 

When Joanne Rowling was travelling home to London an idea entered her head fully formed. It was the story of a boy wizard forced to live in a cupboard. It is highly doubtful that she had any understanding that the story that germinated would go on to generate such success and monumental income!

 

At the time, Joanne was battling with depression, living in extreme poverty in a small flat as a single mother having just escaped an allegedly abusive relationship. Considering herself to be the ultimate failure, Joanne escaped into a world of magic and adventure, creating an entire new landscape of wizards, witches, muggles, gorgeously lyrical names, fantastical beasts and unique characterisations that captured the imaginations of children and adults alike and went on to inspire a franchise of films. Joanne represents a true rags to riches story.

What you might not know: Joanne’s intended audience for her Harry Potter series was young boys. Fearing that boys would not respond to a female author, she became ‘J.K.’.

 

Inspirational Quote: Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.

 5. Carey Mulligan

 

Effortlessly adorable, cherubically charismatic, elegant, classy and graceful, shy Carey first breached the circle of success with her breakthrough role in ‘An Education’.

 

She went on to star in numerous other successes, such as ‘Shame’, ‘Drive’, ‘Never Let Me Go’ and most recently as Daisy Buchanan in ‘The Great Gatsby’. In her understated, gentle, warm way she lights fires in audiences hearts with her compassionate characterisations and achieves wild success whilst remaining humble, tenacious (she immediately got a seagull tattoo to prove her commitment to a project at the directors request), modest and displaying no vulgar nor attention-seeking antics.

What you might not know: Carey is presently married to Marcus Mumford, her former childhood pen pal.

 

Inspirational Quote: My generation tends to play it cool these days. But there is no room for cool. You have got to be irritating and desperate, and if you are not it is terribly boring

 

6. Kate Winslet

The movie that really thrust a young Kate into the limelight was ‘Titanic’, where red cheeked, flame-haired and robust with confidence; she sizzled and sauntered her way across the screen.

 

Now very much an institution, Kate picks roles that are hard hitting in a similar vein to the intensity and challenge required in ‘Heavenly Creatures’, with film successes such as ‘Eternal Sunshine of the Spotless Mind’, ‘Little Children’, ‘Revolutionary Road’ and ‘The Reader’.

 

Kate inhibits her characters flawlessly and with minimal effort and has also participated in film soundtracks with a mellow, strong voice. Kate is notoriously comfortable in her own skin, batting away criticisms about her curvaceous, healthy figure and speaking up about the industry. As an established actress, she remains fiercely true to the values and morals that she brought with her into the industry as a fresh faced youth.

What you might not know: Leonardo DiCaprio bestowed Kate with a gold inscribed ring. She refuses to divulge what it says.

 Inspirational Quote: Life is short, and it is here to be lived.

7. Angelina Jolie

 

Rebellious and eccentric in her youth, Jolie was famed for roles in films such as ‘Girl Interrupted’ and ‘Tomb Raider’. The press tagged her as a wild child with her penchant for tattoos, knifes in the bedroom and the fact that she publically kissed her brother. None of this sounds particularly inspirational does it?

 

Nonetheless, Jolie not only indented herself as an established, highly successful actress but she went on to support the UN in various humanitarian projects as well as adopting several children from numerous third world countries.

 

Although the rumour mill blew up explosively with controversy surrounding the establishing of her relationship with Brad Pitt, Angelina remains a mature, compassionate, thoughtful and always stunningly exotic woman. She also recently had a preventative double mastectomy after discovering that she had an alarmingly high rate of developing breast cancer, deciding to share her story with the masses to offer support to other women struggling with the ramifications of the illness.

What you might not know: At her lowest ebb, Jolie considered hiring a hit man to assassinate her.

 Inspirational Quote: If you don't get out of the box you've been raised in, you won't understand how much bigger the world is.

 

8. Sandra Bullock

 

Quirky, comedic Sandra has always had box office allure as the eccentric girl next door. Recently starring in space thriller, ‘Gravity’, Sandra is also known for films such as ‘Speed’, ‘Practical Magic’ and ‘Miss Congeniality’. She now runs her own production company and owns a restaurant and bakery whilst raising her adopted son as a single mother and continuing to contribute to the film world. She also had the pride and grace in her personal life to walk away from her unfaithful husband Jesse James in a dignified and respectful manner.

What you might not know: One of her grandfathers was a rocket scientist.

 

Inspirational Quote: I've learned that success comes in a very prickly package. Whether you choose to accept it or not is up to you. It's what you choose to do with it, the people you choose to surround yourself with. Always choose people that are better than you. Always choose people that challenge you and are smarter than you. Always be the student. Once you find yourself to be the teacher, you've lost it.

 

9. Keira Knightley

 

When Keira emerged on the scene she was constantly blasted by harsh criticism lambasting her minimalistic build and pouty style of acting. Despite being a box office draw in the ‘Pirates of the Caribbean’ series, a zesty appearance as tomboy Jess in her debut ‘Bend it like Beckham’ and appearing as a petulant, wild teen in ‘The Hole’, Keira still had to handle herself against harsh media intrusion and did so with directness and grace.

 

She also deftly managed to marry in a quiet, unintrusive ceremony in an age where most celebrity couples squeeze every cent out of there union with magazine and newspaper deals. Her acting style has matured as her career has gone on and endured, most notably with her role in ‘Never Let Me Go’ alongside Carey Mulligan.

What you might not know: Is dyslexic.

Inspirational Quote: In this business, fame lasts for a second. You can be blown up and be blown down. People keep losing interest in faces because new ones come along every single second. I'm one at the moment. Tomorrow I won't be. That's cool. I'm not saying that when it does end, I'll be like, 'Yay! It's ending.' But I'll move on and do something else because that's what has to be done. It's about survival. If you're sad about it, then you're in the wrong job.

 

10. Kirsten Dunst

 

A child star with clout, Kirsten has always been more than a sunbeam smile and pretty hair. Notable for roles in films such as ‘Jumanji’ and ‘The Virgin Suicides’, her career continued down a valley girl path with rampant exceptions, such as ‘Mona Lisa Smile’, ‘On The Road’ and most groundbreaking of all, her collaboration with Lars Von Trier in ‘Melancholia’, where she played the hedonistically depressed Justine.

 

Her most outstanding childhood role was as the hysterical, cursed Claudia in ‘Interview with the Vampire’, where she portrayed an adult woman forever frozen in the body of a child. Kirsten has since gone on to create her own production company entitled ‘Wooden Spoon Productions’ which aims to focus on women in the film making industry.

 

What you might not know: Is a former Ford child model.

 

Inspirational Quote: On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained.

The Hunger Games: Catching Fire

The Hunger Games franchise has initiated a ravenous hunger in audiences which only appears to be generating further momentum. The sequel, Catching Fire, brilliantly blends the allure of the first with the push required to drive along the story. Katniss Everdeen, portrayed by the wonderfully likeable and mesmerising Jennifer Lawrence is really a character to care for. Having proved victorious the first time around but threatening the precarious structure surrounding her, she is thrown into a Quarter Quell, a furious reunion of old champions relentlessly pursuing victory.

Dystopian, totalitarian, patriarchal and futuristic, the series mixes garish, grotesque capitalism and control with bare, bleak impoverished districts. The whacky, cartoonish, unsophisticated colours and fashions of the Capital remind me dimly of our modern day pop culture and its icons; Rihanna, Miley, Gaga. What is fundamentally refreshing about this series is that young girls finally have a heroine, an idol whom represents qualities they should strive for within themselves: independence, strength, intelligence, spirit and endurance. Katniss is the anti-Miley. She represents power, assertiveness and vivacity as well as a sense of courage and tenacity that is deeply appealing to young girls who scramble for role models and so desperately struggle to find good ones. She is particularly enticing because she is active, dominant and full of vigour whilst never sacrificing her femininity or womanhood.

Excitingly action packed and teeming with adrenaline, nerve-fraying, nail biting and intense, this is an unflinching look at the power of systems and the generation of fear and the human struggles that exist beyond the walls. It is also a hugely cathartic experience that reminds of the power of the individual to initiate hope and opportunity within the dispirited. Although my theatre was packed with pre-pubescent girls and middle aged couples (predominantly women!) I was also, as a 24 year old, absolutely sucked into this story. This shows that women have buying power and that they want to see a new kind of heroine represented on screen. They say that all the best characters are men, but perhaps we are seeing the dawn of exciting new representations of women and what they can do. Katniss never feels helpless, even in her vulnerability, never silly, even in her exotic dresses and extreme makeup, never gullible when trusting, never sexualised when beautiful and never butch when she behaves in an untraditional sense. She simply is a liberated, fleshed out character.

A little bit of Battle Royale, 1984 and The Running Man this is a story of the indomitable endurance of the human spirit and our capacity to survive and love. There is something for all audiences. There is the necessary love triangle that so rivets teenage girls; stable but uninspiring Peeta and handsome, solid Gale as well as some very handsome specimens of men to witness participating in the games. There is also the beauty of the sets, clothing and makeup which really helps to strengthen the uniqueness of this warped new world. There is the action, the fighting and the strategy required to survive the games and there is the ongoing saga of Katniss’ own personal happiness and future beyond this hell.

I can’t help but think the casting of Lawrence was simply brilliant for she helps bring this story to monumental life and deserves every second of her overwhelming success.

 

 

Heavenly Creatures

Before Peter Jackson was directing ‘The Lord of The Rings’ Trilogy and ‘King Kong’, he created a little film that is hard to define and even more difficult to compare. It’s biography, it’s violent, but it’s also a little bit of a love story.

I’ve always been drawn to films about couples, and by that I don’t mean chick flicks or romantic comedies, but stories of the unique and compelling foundation that exists between two people. Film has a way of doing this that is almost deliriously engaging. The fact that this story is based on real people and obviously to a very real extent takes great artistic license in the telling of their story makes it all the more intriguing.

For those that do not know, ‘Heavenly Creatures’ is the interpretation of the lives of school girls Pauline Parker (unknown actress with a powerful presence Melanie Lynskey) and Juliet Hulme (Kate Winslet, who astounds me in everything that she does – this girl was just born to act). The two girls develop a co-dependent, symbiotic relationship that engulfs their entire existences. When people conspire to part the girls, they will do anything to remain together, including committing murder.
The Parker-Hulme murder rocked Christchurch, New Zealand. The felling of the matriarch at the hands of her own daughter was something too bizarre, too extreme and too surreal to be real.

What Jackson has attempted is to define the girls in relation to one another. He has done his best to create the fantastical, obsessive, addictive world of their duet. In a bleak, drab, mediocre world, the explosion of colour, of vivacity, of life is sparked from the two girls’ interactions with one another. Initially bonding over illness and a succession of hospitalisations, their friendship becomes intoxicatingly intense. Dissillusioned with the real world, the girls lose themselves by concocting an imaginary kingdom named Borovnia. Their fantasies and games extend into a place Juliet names ‘the fourth world’, a kind of heaven beyond religious dictation. He highlights beautifully the solid sense of freedom, and also of restriction that exists in such a strong kind of dependence.

The girls’ relationship is uncategorised as its very nature is elastic. Best friends, sisters, lovers, the girls share not only an intellectual comprehension of the other and a powerful attachment but a sexual infatuation. The sheer intensity of their unity becomes a kind of insanity. But their desire to escape into one enough is partly a wish to avoid the hypocrisy, neglect, rejection and disappointment of their families, school and the alienating boredom of reality. They are reacting both to their strong chemistry over one another and desperate to be spirited away from the real world.

The collaborative combination of the bleak, sudden act of murder in all its dull, achy insistency, and the rich vibrancy of the girls’ fantasy life is quite destabilising. It becomes impossible to know if either girl is really all that sane, or just so high on one another. Any adolescent will understand the dizzying, heady onset of hormones, the desire to be understood and the urge of rebellion and escape that is so magically a part of being young and being alive; the raw passion of feeling and the extremity and desperation involved. Lynskey has a grounded, sinister, earthy quality that clashes wonderfully with Winslet’s ethereal, otherworldly, Shakespearean charm. Whilst Lynskey is childishly wicked, Winslet is manically hyper, like a whirling dervish and together, they are hard not to watch.

If you can part yourself from the fact, you can find yourself escaping into a world of fiction. It’s hard to imagine that this really happened and all because two young girls could not bear to be separated. This film will have you spinning along with it, demented, delirious, deliciously, until it all comes crashing down like a house of cards. It is not that I mean to detract from the murder. This is essentially a horror story, but the vein that runs through it centres on what drove two young girls to commit such a vile and horrendous crime and though it may never be fully understood, Jackson does his best to explore the emotional vulnerability and mental delicacy present for two people to sink into each other to such an extent, that the rest of the world falls away.