The Hunger Games franchise
has initiated a ravenous hunger in audiences which only appears to be
generating further momentum. The sequel, Catching
Fire, brilliantly blends the allure of the first with the push required to
drive along the story. Katniss Everdeen, portrayed by the wonderfully likeable
and mesmerising Jennifer Lawrence is really a character to care for. Having
proved victorious the first time around but threatening the precarious
structure surrounding her, she is thrown into a Quarter Quell, a furious
reunion of old champions relentlessly pursuing victory.
Dystopian, totalitarian, patriarchal and futuristic, the
series mixes garish, grotesque capitalism and control with bare, bleak
impoverished districts. The whacky, cartoonish, unsophisticated colours and
fashions of the Capital remind me dimly of our modern day pop culture and its
icons; Rihanna, Miley, Gaga. What is fundamentally refreshing about this series
is that young girls finally have a heroine, an idol whom represents qualities
they should strive for within themselves: independence, strength, intelligence,
spirit and endurance. Katniss is the anti-Miley. She represents power,
assertiveness and vivacity as well as a sense of courage and tenacity that is
deeply appealing to young girls who scramble for role models and so desperately
struggle to find good ones. She is particularly enticing because she is active,
dominant and full of vigour whilst never sacrificing her femininity or
womanhood.
Excitingly action packed and teeming with adrenaline,
nerve-fraying, nail biting and intense, this is an unflinching look at the
power of systems and the generation of fear and the human struggles that exist
beyond the walls. It is also a hugely cathartic experience that reminds of the
power of the individual to initiate hope and opportunity within the dispirited.
Although my theatre was packed with pre-pubescent girls and middle aged couples
(predominantly women!) I was also, as a 24 year old, absolutely sucked into
this story. This shows that women have buying power and that they want to see a
new kind of heroine represented on screen. They say that all the best
characters are men, but perhaps we are seeing the dawn of exciting new representations
of women and what they can do. Katniss never feels helpless, even in her
vulnerability, never silly, even in her exotic dresses and extreme makeup,
never gullible when trusting, never sexualised when beautiful and never butch
when she behaves in an untraditional sense. She simply is a liberated, fleshed
out character.
A little bit of Battle
Royale, 1984 and The Running Man this
is a story of the indomitable endurance of the human spirit and our capacity to
survive and love. There is something for all audiences. There is the necessary
love triangle that so rivets teenage girls; stable but uninspiring Peeta and
handsome, solid Gale as well as some very handsome specimens of men to witness
participating in the games. There is also the beauty of the sets, clothing and
makeup which really helps to strengthen the uniqueness of this warped new
world. There is the action, the fighting and the strategy required to survive
the games and there is the ongoing saga of Katniss’ own personal happiness and
future beyond this hell.
I can’t help but think the casting of Lawrence was simply
brilliant for she helps bring this story to monumental life and deserves every
second of her overwhelming success.
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